Butch and femme roles of lesbians

Butch and femme roles of lesbians Butch and femme roles were extremely important to the community in the forties and fifties; it was the butch role that was the most visible, and therefore the most likely to cause public scorn (Weissman and Fernie). The two sources, The Reproduction of Butch – Femme Roles by Madeline Davis and Elizabeth Lapovsky Kennedy and Forbidden Love by Aerlyn Weisman and Lynne Fernie focus particularly on the function of the butch role among working class lesbians in Buffalo. These sources draw on articles, oral histories and interviews of lesbians from the early twentieth century. Both the resources state that, although â€Å"gender-appropriate† styles and behaviors were rigidly enforced in order to maintain a clear distinction between the sexes, butch women’s choice to not only reject traditional femininity but to also actively adopt masculinity was perceived as a threat to the very order of society and a prelude to social chaos. Despite the fear, and likelihood of haras sment by police and other straight men, the courage of butches to claim their identities in many ways prepared the way for later generations of lesbians to break free from the narrow conventions of socially constructed womanhood and claim access to a kind of power traditionally held only by men (Weisman and Fernie). As a result, male representations of lesbian sexuality have had the most influence in shaping attitudes towards butch and femme identities throughout the twentieth century. Such representations have almost always assumed the lesbian role -playing is an imitation of heterosexuality. The main theory underlying the feminist disregard of role – playing is that roles depend on sexual difference, which is naturally hierarchical, polarizing, and oppressive. Sexual difference is the grounds on which heterosexual roles are built, and thus contains within it an inherently unequal distribution of power. In the relationship of a butch and femme, since the identities of both a re built on popular cultural stereotypes of male and female behavior, they tend to reinforce the inequality in power inherent in this dichotomy. In addition, in most cases one of the partners is active, strong, dominant, and initiating whereas the other partner is passive, weak, submissive, and enduring. The partner who is dominant in this equation mimics the role of a male in a heterosexual relationship, whereas the passive, weak and submissive characteristics belong to that of the female. Thus, because the butch- femme roles have the potential for being just as sexist as heterosexual roles, they imitate the latter, especially when talking about power relations between two partners. (Weisman and Fernie) According to Judith Roof’s article, â€Å"The Match in the Crocus: Representations of Lesbian Sexuality,† the representations of lesbian sexuality in the dominant discourse often evoke the phallus by calling attention to its absence or substitution in sexual relations between women, so that it appears and seems necessary, at least symbolically, because of the inconceivability of sexuality without a phallus present. Therefore, lesbians are often depicted as having appropriated the penis, masquerading as though they really had it, and thereby assuming male privilege and acting upon it. This evokes the stereotypical image of the lesbians by phallocentric discourse and is seemingly embraced by the lesbian community in the form of butch roles. What Roof’s analysis makes possible is an understanding of the ways in which the dominant ideology has a vested interest in making the butch – femme role playing appear to be a mere replica of heterosexuality, as a way of calming male anxiety over the threat of female appropriation of male dominance. Thus, because the absence of the phallus requires them to achieve the balance through role playing, they merely are merely imitating the heterosexual norms.